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A podcast for musical theatre actors who want to take their vocal artistry to the next level by going deep into the music of musical theatre. We’ll be dissecting the songs, character and vocal archetypes, musical genres, and vocals styles of Broadway so that you can: 1) create a powerful audition book that showcases your artistry and actually gets you work 2) feel totally at home reading the musical score of a show 3) define your unique artistic voice 4) and craft a performing career you love! Each week, you’ll hear educational content, live coachings, and interviews with theatre professionals – all focused on storytelling through song, developing your vocal artistry, and helping you discover the unique greatness you have to offer the world. Consider me your own personal vocal coach in your ear buds, cheering you on and bringing you the reality checks you need along the way. If you’ve been dying to discover the songs that connect with your soul, refine your vocal performance, and actually book the gig, then this is the place for you. I’m Korrie Yamaoka, musical theatre vocal coach and music director for 15+ years, and I’m so excited to be walking this journey with you. Let’s dive in.
Episodes
Monday Feb 26, 2024
Monday Feb 26, 2024
Have you ever wondered how much movement is too much movement in an audition?
Have you struggled to find movement that feels authentic to you?
In this episode, Roger Ellis (@rogerellis), head of movement in the MFA Acting Program at Northwestern University, shares how he develops character, creates choreography, and develops a directorial vision through the lens of movement.
He pulls back the curtain on his creative process and reveals the specific tactics he uses to devise choreography, dig deeper into a show’s themes, and how to bring out each actor’s truest self.
Roger Ellis (they/he) is a movement director and filmmaker investigating the mixed reality of Black-queer-aspec experience. Roger is the original director of Nikki Lynette’s Get Out Alive (Steppenwolf, film adaptation, National Alliance for Musical Theatre). Current projects include the documusical series Unhappy Songs About Unhappy Things, sound installation Interstitial and the short film Emergency Contact. Ellis is an assistant professor and head of the movement area for the MFA Acting Program at Northwestern University.
In this interview, we discuss:
- What does storytelling mean to you?
- What's your approach to storytelling through choreography?
- When you're starting to choreograph a new show, how do you begin?
- How do you approach the score? What's your process?
- What's your take on movement in auditions?
- How can actors utilize movement in auditions without it feeling fully choreographed?
- How can they best represent themselves in the movement?
- What are you looking for in callbacks that is different from auditions?
I hope you enjoy this fascinating conversation!
Xo,
Korrie
Find more about Roger Ellis at www.movementdesignchicago.com
Check out www.korrieyamaoka.com to find info about FREE RESOURCES and AUDITION COACHING, and to sign up for my email list.
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Contact Korrie at hello@korrieyamaoka.com.
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